切·格瓦拉传:游击队
51
1.0
已完结
切·格瓦拉传:游击队
1.0
更新时间:09月05日
主演:本尼西奥·德尔·托罗,卡洛斯·巴登,德米安·比齐尔,乔昆姆·德·阿尔梅达,马克-安德烈·格隆丁,罗德里戈·桑托罗,弗朗卡·波滕特,卡塔琳娜·桑地诺·莫雷诺,马特·达蒙
简介:1959年,切•格瓦拉(Benicio Del Toro本尼西奥•德尔•托罗 饰)与菲德尔•卡斯特罗(Rodrigo Santoro 罗德里格•桑托罗 饰)率领的游击队组织“七二六运动”终于推翻巴蒂斯塔政权,在古巴建立了新政府。然随着时间的推移,切和菲德尔在治国理念上逐渐发生分歧,最终他辞去政府中的要职,并放弃家庭和古巴公民的身份,再次投入解放第三世界的战争中去。  几经辗转,切来到玻利维亚,与玻利维亚全国解放军共同展开游击队革命运动。玻利维亚总统René Barrientos(Joaquim de Almeida 饰)得知切的到来,决定不惜一切代价消灭这个令人头痛的革命者……  为了详尽真实再现革命家切•格瓦拉的革命岁月,美国好莱坞著名导演史蒂芬•索德伯格(Steven Soderbergh)用了4个小时来描绘这位传奇英雄。最终按照院线的需要,影片被分作两部分上映。本片荣获2008年戛纳电影节最佳男主角奖,并获得金棕榈奖提名。
135
2008
切·格瓦拉传:游击队
主演:本尼西奥·德尔·托罗,卡洛斯·巴登,德米安·比齐尔,乔昆姆·德·阿尔梅达,马克-安德烈·格隆丁,罗德里戈·桑托罗,弗朗卡·波滕特,卡塔琳娜·桑地诺·莫雷诺,马特·达蒙
人生不再重来
112
1.0
已完结
人生不再重来
1.0
更新时间:09月05日
主演:赫里尼克·罗斯汉,阿佩·代沃尔,法尔汉·阿赫塔尔,卡特莉娜·卡芙,卡琪·柯切林,艾妮安娜·卡布罗尔,纳萨鲁丁·沙
简介:卡比尔(阿布依•多尔 Abhay Deol 饰),阿琼(赫里尼克•罗斯汉 Hrithik Roshan 饰),依姆兰(法拉汗•阿克塔尔 Farhan Akhtar 饰)是大学时期被誉为三个火枪手的好兄弟,大学毕业前约定要进行一次西班牙的公路旅行。因为各种原因与借口,这个计划拖延到了四年后卡比尔与娜塔莎(卡尔吉•柯伊切林 Kalki Koechlin 饰)结婚前夕,以卡比尔单身旅行为理由终于如愿以偿的实行。三个男人来到西班牙,挑战各自内心最惧怕的事物。怕水的阿琼学会了潜水,寻觅到了自己终身的爱人,潜水教练莱拉(卡特莉娜•卡芙 Katrina Kaif 饰)。在莱拉的影响下改变了以往金钱重于一切的观念,明白了自由和快乐的真谛。依姆兰挑战了自己恐高的极限去参加跳机训练,还如愿见到了自己的亲生父亲,并且鼓起勇气发表了自己的诗歌。而最后三人一起参加了奔牛节,在死亡的边缘挑战着内心的恐惧,而卡比尔也敢于面对自己对于结婚的犹豫。最终这次旅行让他们变得强大的去面对各自生活中事业,梦想,婚姻的抉择。
314
2011
人生不再重来
主演:赫里尼克·罗斯汉,阿佩·代沃尔,法尔汉·阿赫塔尔,卡特莉娜·卡芙,卡琪·柯切林,艾妮安娜·卡布罗尔,纳萨鲁丁·沙
然后我们跳了舞
551
1.0
已完结
然后我们跳了舞
1.0
更新时间:09月05日
主演:列文·格尔巴赫亚尼,巴奇·瓦利什维利,安娜·贾瓦基什维利,格奥尔基·采列捷利,塔马尔·布赫尼卡什维利,玛丽卡·戈吉查什维利,卡卡·戈吉泽,莱万·加布拉瓦,安娜·马克哈泽,尼诺·加比索尼亚,马特·基沙德利,阿莱科·贝加里什维利,沙巴·阿巴希泽,索索·阿布拉米什维利,戴维特·阿布拉泽
简介:梅拉布(列文·格尔巴赫亚尼 ლევან გელბახიანი 饰)出生于舞蹈世家,专研格鲁吉亚民族舞,然而,这种舞蹈追求的是强劲有力的男子气概,可梅拉布自幼就身材娇小一副弱不禁风的样子,因此,无论他怎样的努力,却总是遭到教练根本性的否定。  某日,舞蹈队里来了一位名叫伊拉克利(巴奇·瓦利什维利 ბაჩი ვალიშვილი 饰)的新队员,这个男人幽默风趣,自由不羁,同时也有着极强的专业素养。在伊拉克利的刺激之下,梅拉布再度燃起了斗智,想要和他一分高下,与此同时,还有另外一种隐秘的感情在梅拉布的内心里渐渐苏醒,而他知道,这种感情很可能会毁掉自己的前途,乃至整个人生。
635
2019
然后我们跳了舞
主演:列文·格尔巴赫亚尼,巴奇·瓦利什维利,安娜·贾瓦基什维利,格奥尔基·采列捷利,塔马尔·布赫尼卡什维利,玛丽卡·戈吉查什维利,卡卡·戈吉泽,莱万·加布拉瓦,安娜·马克哈泽,尼诺·加比索尼亚,马特·基沙德利,阿莱科·贝加里什维利,沙巴·阿巴希泽,索索·阿布拉米什维利,戴维特·阿布拉泽
天堂电影院
54
1.0
已完结
天堂电影院
1.0
更新时间:09月05日
主演:菲利普·努瓦雷,萨瓦特利·卡西欧,雅克·贝汉,马克·莱昂纳蒂,莱奥波多·特里耶斯泰,安东内拉·阿蒂利,恩佐·卡拉瓦勒,艾萨·丹尼埃利,里奥·故罗塔,普佩拉·玛奇奥,阿格妮丝·那诺,塔诺·希玛罗萨,尼古拉·迪·平托,罗伯塔·蕾娜,尼诺·戴罗佐,玛丽娜·朱迪切,比阿特丽斯·帕姆,布丽吉特·佛西,朱塞佩·托纳多雷
简介:意大利南部小镇,古灵精怪的小男孩托托(萨瓦特利·卡西欧 饰)喜欢看电影,更喜欢看放映师阿尔弗雷多(菲利浦·诺瓦雷 饰)放电影,他和阿尔弗雷多成为了忘年之交,在胶片中找到了童年生活的乐趣。  好心的阿尔弗雷多为了让更多的观众看到电影,搞了一次露天电影,结果胶片着火了,托托把阿尔弗雷多从火海中救了出来,但阿尔弗雷多双目失明。托托成了小镇唯一会放电影的人,他接替阿尔弗雷多成了小镇的电影放映师。  托托(马克·莱昂纳蒂 饰)渐渐长大,他爱上了银行家的女儿艾莲娜(阿格妮丝·那诺  饰)。初恋的纯洁情愫美如天堂,但是一对小情侣的海誓山盟被艾莲娜父亲的阻挠给隔断了,托托去服兵役,而艾莲娜去念大学。伤心的托托在阿尔弗雷多的鼓励下,离开小镇,追寻自己生命中的梦想……  30年后,阿尔弗雷多去世,此时的托托已经是功成名就的导演,他回到了家乡,看到残破的天堂电影院,追忆往昔,唏嘘不已。
767
1988
天堂电影院
主演:菲利普·努瓦雷,萨瓦特利·卡西欧,雅克·贝汉,马克·莱昂纳蒂,莱奥波多·特里耶斯泰,安东内拉·阿蒂利,恩佐·卡拉瓦勒,艾萨·丹尼埃利,里奥·故罗塔,普佩拉·玛奇奥,阿格妮丝·那诺,塔诺·希玛罗萨,尼古拉·迪·平托,罗伯塔·蕾娜,尼诺·戴罗佐,玛丽娜·朱迪切,比阿特丽斯·帕姆,布丽吉特·佛西,朱塞佩·托纳多雷
欧洲的某个地方
531
1.0
已完结
欧洲的某个地方
1.0
更新时间:09月05日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
590
1948
欧洲的某个地方
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
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