惊魂记
849
10.0
已完结
惊魂记
10.0
更新时间:09月05日
主演:安东尼·博金斯,维拉·迈尔斯,约翰·加文,珍妮特·利,马丁·鲍尔萨姆,约翰·麦克因泰,西蒙·奥克兰,弗兰克·艾伯森,帕特里夏·希区柯克,沃恩·泰勒,卢伦·塔特尔,约翰·安德森,莫特·米尔斯,吉特·卡森,维吉尼亚·格雷格,阿尔弗雷德·希区柯克,珍妮特·诺兰,罗伯特·奥斯本,海伦·华莱士,Fletcher Allen,沃尔特·培根,弗朗西斯·德塞尔斯,乔治·多克斯塔德,乔治·埃尔德雷奇,哈珀·弗莱厄蒂,萨姆·弗林特,弗兰克·基尔蒙德,泰德·奈特,帕特·麦卡弗里,汉斯-乔基姆·默比斯,弗雷德·谢威勒
简介:年轻的马里恩·克兰(珍妮特·利 饰)在Phoenix工作,深受老板洛厄里(沃恩·泰勒 饰)信任。男友萨姆·卢米斯(约翰·加文 饰)在Fairvale经营一家五金店,因要替亡父还债又要支付前妻赡养费而无力再婚,只能借出差的机会偶尔来与马里恩幽会。马里恩对此感到不满,于是在周五下午趁机携四万美元公款驾车潜逃。可是马里恩的潜逃之路并不顺利:先是在出城的时候被洛厄里目击,周六一大早又被警察怀疑。花了七百美元以旧车换新车之后,马里恩继续忐忑地行驶。入夜后,天降大雨,视线模糊,无法行驶,马里恩只得将车泊入路边的贝茨汽车旅馆投宿。老板诺尔曼(安东尼·珀金斯 饰)十分友善,试图邀请马里恩到家里共进晚餐,可惜被凶恶的母亲粗暴阻止,只得将晚餐端至旅馆客厅。马里恩在客厅一边进餐一边与诺尔曼交谈,终于决定周日返回Phoenix。用餐完毕,马里恩回房沐浴。这时,一个老妇的身影突然出现在卫生间……
220
1960
惊魂记
主演:安东尼·博金斯,维拉·迈尔斯,约翰·加文,珍妮特·利,马丁·鲍尔萨姆,约翰·麦克因泰,西蒙·奥克兰,弗兰克·艾伯森,帕特里夏·希区柯克,沃恩·泰勒,卢伦·塔特尔,约翰·安德森,莫特·米尔斯,吉特·卡森,维吉尼亚·格雷格,阿尔弗雷德·希区柯克,珍妮特·诺兰,罗伯特·奥斯本,海伦·华莱士,Fletcher Allen,沃尔特·培根,弗朗西斯·德塞尔斯,乔治·多克斯塔德,乔治·埃尔德雷奇,哈珀·弗莱厄蒂,萨姆·弗林特,弗兰克·基尔蒙德,泰德·奈特,帕特·麦卡弗里,汉斯-乔基姆·默比斯,弗雷德·谢威勒
狂野街头
89
10.0
已完结
狂野街头
10.0
更新时间:09月05日
主演:谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯
简介:Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007  Author TimothyFarrell from Worcester, MA  Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.  The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)  -from imdb
9100
1968
狂野街头
主演:谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯
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