另一个波琳家的女孩

简介：1930年，赴英留学归来的赵宜宽梦想在济南建设中西合璧的“大观园”。商霸陆风卿半路截杀夺走开发权。赵宜宽几经周折建成大观园。日本侵华，大观园失陷。解放后，赵宜宽献出效果图，圆了他的大观园梦……

简介：少女马玉凤（马斯晨 饰）因藏毒罪名被判入狱半年，男友罗伯特指使她在狱中寻找杀死他大哥的女子Winnie，以便为其大哥报仇。第一次入狱的玉凤开始了被称为“第一茧”的狱中生活，同监室的女犯人“男人婆”性格跋扈欺凌新人，玉凤在遭男人婆殴打时幸被狱中著名的“疯大姐”（吴家丽 饰）救下，自此玉凤和疯大姐以及多话乐观的大肚婆（林建明 饰）结为好友。原来疯大姐即是Winnie，Winnie受吸毒的父亲拖累，不得不在欢场求生，百无聊赖中自己也染上了毒瘾，因一次偶遇，Winnie与卧底警察阿勇（刘德华 饰）结识，二人坠入爱河，阿勇对毒瘾发作的Winnie不离不弃并计划与之远赴加拿大生活，岂料阿勇身份被揭发，导致Winnie杀死了罗伯特的大哥……

简介：院判之女云姬与丫鬟嫣儿为闺中密友，却都爱了上仆人莫南，为破坏嫣儿与莫南交往，云姬欲邀莫南私奔，竟被嫣儿告密，最终云姬被送往宫中，成为傀儡皇帝的皇后，虽屡遭太妃刁难但被玄王爱慕。三年后皇帝驾崩，玄王上位，而此时经历变故的云姬，却利用嫣儿对她的情，上演了一场爱欲和权力，激情与仇恨的情欲故事。

简介：Murphy is a mega-famous canine TV star who is fed up with being treated like a 'cash-machine' by Hollywood executives. He escapes and a group of loving kids save him.

简介：中年的弗朗索瓦（布鲁诺·克雷默）是名哲学老师，他和风度怡人的妻在小镇里过着中规中距的生活。然而他的学生，17岁的少女玛蒂尔（凡妮莎·帕拉迪丝）出现了，带着少年人少有的成熟和不羁。　　弗朗索瓦带着挽救堕落少女的心情走近她，却难以抑制的被玛蒂尔的热情和聪慧所吸引。他们相爱了，激情四溢，刻骨铭心。可是当玛蒂尔要求弗朗索瓦离开妻，与她一起时，男人退缩了，他想到了年龄，婚姻，道德，身份，想到了太多的琐碎。　　再次绝望的玛蒂尔用激烈的方式破坏老师的生活，颠覆了他的事业与婚姻，然后消失的无影无踪。当人们再次发现她的时候，她的房间里写着“弗朗索瓦，这里就是海。”

简介：吸毒成瘾的凯莉·巴克奈尔和同伴抢劫取款机，结果被警方抓个正着。在此之后，她被法官判处家中监禁八个月。凯莉的老家位于一处偏远小镇，母亲米莉亚现正和另一个男人居住。在被装上监控装置后，凯莉失去了自由，每日只能蜷缩在这幢老旧破败的房子内。某天，她听广播时意外发现母亲向电台打进了热线，米莉亚声称曾在家中的地下室见过鬼影，这让她惶恐不安。凯莉一向反感妈妈神神叨叨的言行，可是没过多少天，她便真的遭遇了一连串的奇怪事件。在法律禁止逃离的情况下，凯莉只能求助于对灵异事件感兴趣的保安员阿莫斯。生死考验，迫在眉睫……

简介：1975年奥斯卡最佳外语片提名　　1975年戛纳最佳男演员　　1976年凯撒最佳外语片

简介：司徒明浩（任泉 饰）和赵勇（乔任梁 饰）是在同一间杂志社工作的同事兼好友，两人相识多年，彼此之间的友谊十分坚固。最近，他们将杂志的焦点聚集到了一宗人体器官倒卖案件之上，在调查取证的过程中，赵勇意外失踪，之后等待着司徒浩明的，则是赵勇的死讯。　　让司徒明浩没有想到的是，赵勇的死并不是终点，悲剧发生后没多久，杂志社的职员们便开始接陆续收到赵勇发来的死亡邮件。更可怕的是，那些接收到邮件的人们，果真接二连三的死去。死亡的阴影笼罩着整个杂志社，人心惶惶之中，每个人都在暗暗猜测，谁是恐怖杀手的下一个目标，而那名杀手，又究竟是谁。

简介：马修曾与马达合称天下第一侦探组合，一同在大理寺任职，抓获无数凶犯，却始终未能抓到‘金国第一杀手’。这一次，收到了一个神秘邀请，马修同捕快童九郎一起来到千里秋风山庄，破解‘金国的宝藏’谜案。同样被邀来的还有：醉酒断案闻名庆国的第一高手白堕、玄学探案专家老蛊牙、摩登楼当家头牌苏芩、神秘探手好运来以及庆国有名酒家老板娘春风。所有人都对当年千里秋风山庄被一夜屠庄的事情颇为好奇，更为传说中的宝藏蠢蠢欲动。随着雇主的显身，此行的目的也逐渐揭露。等待众人的却是一场精心设计下的毒杀事件……

简介：Maurizio is a stubborn boy who grows up near the fiumara, where people throw away whatever they no longer need. This open-air dump becomes his playground, where among wrecked cars and other treasures large and small, he begins to dream of playing in the town band. Mamma Rosa looks on his musical aspirations as a childish whim, a luxury that the family cannot afford. And so, between the good advice by Mosè the donkey and the pranks by chicken N’Giulina, Maurizio is faced with a growing series of adventures and comes to the realization that, if his dream is to come true, he must be determined to see it through right to the end.

简介：“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.　　The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.　　As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.　　“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.

简介：50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。　　In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.